Cranes through Generations

Size

approx. 90cm x  100cm x 4cm

Materials

silk (outside-layer) , paulownia (wooden frame)

Story behind the work

This work uses two different antique tomesode (festive kind of kimono) both with cranes design. It’s symbolic that one piece (two in the middle) is from early Taisho era (1910ies), while the second is from mid Showa (1950ies), and connecting them in this art piece symbolizes connection between the generations.

It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.

I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.

Period / Story

will be updated

Explanation of colors and patterns

The Japanese saying goes, "A crane lives a thousand years, a tortoise lives ten thousand years," making cranes a symbol of longevity.

Cranes are also known for staying with the same partner for their entire lives, which is why they are often used at weddings and other celebrations to symbolize "marital bliss" and the desire for harmony between husband and wife.

The color scarlet, or deeply dyed red, used for the most of the cranes here, has long been associated with the meaning of "warding off evil." It is believed to possess the power to repel malevolent forces and invite good fortune.

During the Heian period (794-1185), scarlet was reserved for sacred buildings and ceremonial objects that held great significance. Ordinary people were prohibited from wearing scarlet-red kimonos, which made it a highly special color.

Characteristics of the fabric

will be updated

About the frame

Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.

Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.

During the Edo period, it became customary to store cherished kimonos in paulownia chests, which offered fire resistance and protection from moisture and insects.

Traditionally, when a daughter was born, a paulownia tree would be planted. Upon her marriage, the tree would be cut down, and the wood would be used to craft a chest for her as a wedding gift.

Following the Ansei Earthquake during the late Edo period in 1855, paulownia chests gained popularity due to their ability to withstand fires and even float in water, thereby safeguarding their contents during floods.

I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it?

Decoration Advice

Canvas can be displayed on a table, wall, etc. Hanging on a wall requires hooks, tacks or nails. It can also be displayed propped up on an easel. Ideal for a room makeover, housewarming gift, present, or souvenir for a loved one.

Precaution

All the works are made from real kimonos, antiques and vintages. For this reason, the fabric may have traces of long-term use and minor fabric damages. In case there are any scratches or stains, we always add a photo of the area on the item page, so please check before purchasing. Regarding precaution, cancellation and refund policy, please refer to the refund policy in the footer section of the site for information.